Exhibiting from 6 – 28 June
My work is deeply rooted in the tradition of woodcut printmaking, though I try to bring something contemporary to the mix. The process itself is a big part of what I do—there’s something about the act of carving that feels like a performance. It’s not just about creating images; it’s about engaging with the material and using my hands to leave marks that tell a story. My figures—often lone, elongated human forms—tend to exist in empty spaces, focusing on their gestures and the emotions they convey, rather than a specific setting. The roughness of the lines and the simplicity of the colours are all part of that emotional weight. There’s also something about the physicality of carving that makes the work feel real, like you’re uncovering something hidden inside. It’s a quiet process, but I hope it speaks in ways that feel universal, connecting both personal and broader human experiences.